If the word-painting is at times a little obvious it is also remarkably assured. Likewise in the following aria, snarling horns and menacing string configurations playfully characterise an enraged lion which prowls through the forest. This first foray into extended dramatic composition offers fascinating insights into the genesis and development of arguably the greatest opera composer ever to have lived, as well as providing an extraordinary monument to childhood.
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It is regrettable that the contributions of Michael Haydn and Adlgasser have not survived, if only because it deprives us of an intriguing point of comparison, but they would surely have struggled to outstrip the quality, beauty and dramatic understanding which already characterize the work of their eleven-year-old colleague. Teile zwei und drei sind verschollen, nur Mozarts erster Teil existiert noch heute.
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Die Reise sollte dreieinhalb Jahre dauern. November in Paris ankamen. April wurde Mozarts Teil wiederholt. Beide waren von Erzbischof Schrattenbach nach Venedig gesandt worden um dort ihre musikalische Ausbildung zu vervollkommnen, bevor sie am 8. Beide blieben bis zum Mozarts musikalische Sinnbilder sind zwar an einigen Stellen flach, aber sie zeigen trotzdem schon seine Sicherheit in der Charakterdarstellung.
Christianity pleads on behalf of the sleeping man, begging Justice and Mercy to save mankind from spiritual inertia. They are sympathetic to his plea, but point out that neither of them can be of help if mankind continues along this indolent path. Christianity argues that a vivid warning of infernal damnation might shock the half-hearted Christian into recognising the error of his ways.
Justice agrees, and wakes up the sleeping man by presenting to him in a dream a nightmarish vision of his Day of Judgement. Justice and Mercy now retire to the heavens, and Christianity observes from a hiding place as the Christian awakens and contemplates the terrifying voice that he has heard in his sleep. The Spirit of Worldliness Der Weltgeist now arrives, though, and urges the Christian to forget about his dream and to follow her pleasure-seeking philosophies.
The Christian is partially comforted, but still feels troubled by his dream. Unable to contain himself any longer, Christianity now appears disguised as a doctor and engages in conversation with the Christian, who is eager for advice and treatment. Worldliness becomes bored by their conversation and withdraws to prepare breakfast, enabling the doctor to set about his task of offering the Christian a cure. The Christian is amazed to learn that the doctor already knows of his dream, and accepts the medicine that he is offered.
They are characterised by great religious solemnity and were intended more for the concert organ as far as their dimensions are concerned. After being involved in a road accident in May , Franck died at the beginning of November He had probably already begun work on the Trois Chorals before his accident, in Yet we know that their completion was delayed until autumn Franck was no longer able to oversee the printing process for the first edition, which only appeared in Our Urtext edition takes two previously unknown autographs of the 1st and 3rd chorales into account for the first time and is thus able to supply a reliable musical text beyond the first edition, based on a sound evaluation of the sources.
Organ Solo. The autograph score contains detailed instructions for the use of the stops. When the work was published five years later, Franck was already organist at the Ste. Clotilde Church and so the indications in the first edition referred to much smaller organs. Thus, Franck 's ideas for the way this magnificent work was to sound is illuminated in two different ways. This five volume series, at five levels of difficulty, compiles carefully selected music for piano students by various French composers, much of which will be new to many teachers, allowing for fresh discoveries.
Each volume is in progressive order, and includes composer biographies. Points for Practice and Teaching illuminate special issues for the student, and can be used as a lesson plan for the teacher for teaching a piece. Composer: Various, Editor: Brendan Fox. Study Score. The work consists of four orchestral tales - of night, fire, love and fate. Each aims to extract the essence of the phenomenon, not in a descriptive way but rather as perceived by the composer metaphysically, an approach akin to that of his series of Angel works. Although no exact narrative is intended, the final tale inevitably suggests autobiographical elements, as its composition was violently interrupted by a near-fatal heart attack in January Composer: Einojuhani Rautavaara.
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- Ein fauler Baum (An Alder Tree);
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The Chester Books of Madrigals offer an exciting collection of secular European madrigals, partsongs and rounds from the 16th and early 17th centuries, newly edited from early sources by Anthony G. Petti, who contributes copious historical notes to each volume. The majority of the settings are for SATB and simplified keyboard reductions.
Texts are in the original languages, with an English translation for non-English texts provided at the head of each piece. Composer: Anthony G. Composer: Various, Editor: Gregory P. Hal Leonard Recorder Songbook. Now recorder players can play 15 of their favorite classical music selections, in arrangements for recorder solo. Seventeen masterpieces arranged for two guitars in standard notation and tablature: Air on the G String J.
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Composer: Various, Editor: Mark Phillips. Over 40 piano solos perfect for any wedding!
Mr Evans also provides an audio recording of each piece. Titles include: Air from Suite No. Media: Softcover Audio Online. Composer: Various, Arranger: Lee Evans.. Arranged by Lee Evans. Original Edition. Piano Accompaniment. This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Solo and piano books sold separately.
Contents: Adagio from Piano Sonata No. Editor: H. Solo Book Only. Score and Solo Part. Features works by J. Bach, Bellini, Brahms, Franck , Mozart and more. Michael Hoeltzel.
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Pieces drawn from a wide range of periods and styles, creating intriguing juxtapositions of pieces by well-known and lesser-known composers. Bernstein's tribute to Sondheim rubs shoulders with Erik Satie; Mozart and Tchaikovsky are represented alongside their contemporaries Kozeluh and Cui.
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I thoroughly enjoyed the contrasting styles in each volume. All periods from the 16th-century to modern are present. The volumes include some familiar works, such as Franck 's 'Doll's Complaint', but a clear majority of the pieces are new and at times refreshing. Piano Moods Series. This simple 4-part canon at the fourth is an ideal introduction to music of the Renaissance. Other products available separately: 4-Part any combination. Performance Time: Approx. John Leavitt.
This canon at the fourth has the simplest melodic material, which when combined in two and four voices achieves an interesting and contrapuntal effect. It can provide students an easy entrance into the flavor of the simple four-part music which sounds much more complex than it is. Franck arr. The A Dozen a Day Songbook series contains wonderful easy classical hits that may be used as companion pieces to the memorable technique exercises in Edna Mae Burnam's A Dozen a Day series or as supplements with any piano method. The pieces have been arranged to progress gradually, applying concepts and patterns from Burnam's technical exercises whenever possible.
Teacher accompaniments and suggested guidelines for use with the original series are also provided. Media: Softcover with CD. High and Medium Voice. A compilation of pleasant, easy piano pieces for beginners, with a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras.
Rainer Mohrs, Monica Twelsiek. This volume contains Baroque, Classical, and Romantic piano pieces at the late beginner to early intermediate level, perfectly suited for the first concert of young pianists. Composer: Various, Editor: Marianne Magolt..