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The Georgicks of Virgil, with an English Translation and Notes Virgil, John Martyn Ipsi in defossis specubus secura sub alta Otia agunt terra, congestaque robora, Pierius says it is confecto in the Roman manuscript. And Tacitus also says the Germans used to make caves to defend them from the severity of winter, .

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He later expressed serious interest for landscape art. In his grand urban planning projects for Paris Napoleon III thus set aside special room for creating green spaces. Like the human body Paris had its circulatory system — a geometrical grid of boulevards and avenues — and its waste disposal system — the network of sewers built under the city.

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All that was missing was a respiratory system. These two men, with the help of the horticulturist Barillet-Deschamp, the architect Davioud, and Belgrand from the Water Department, created the most magnificent and beautiful array of public green spaces the capital has ever known. Follow us now along our path through Paris, starting in the heart of the city in the Jardin des Tuileries and spiralling out to the Bois de Boulogne. Divided into equal sections, the garden emphasises symmetry with orderly alleys lined with chestnut trees and two oval pools decorated with bronze sculptures.

These bronze figures were designed by Davioud and sculpted in To the right, Mercury and the Music are by Ottin The Square Emile-Chautemps is particularly noteworthy not only for its layout, but also for its monuments. In Napoleon gave orders to destroy much of the fortress, and the Temple tower was knocked down in All the buildings were demolished to make way for the present-day square. Incorrectly dubbed a garden square, the Place des Innocents is more of a mall, that is, a space reserved for strolling. Built in during construction of the nearby Halles , this square owes its name to the Cemetery and Church of the Innocents destroyed at the end of the XVIIIth century.

Davioud had the fountain moved from its initial location on the Rue Saint-Denis and placed in the middle of the Square des Innocents, atop a stairway of surrounding pools. The tactic is remarkable — instead of drowning the monument in greenery, the architect chose to set it off in a sparse, open space punctuated by the regularity of the tree-lined border. This square, first to be opened to the public in , is the only one whose genuinely square layout merits its title.

Like a precious box surrounding the Tour Saint-Jacques — the only remaining vestige of the church of the same name, destroyed in — the square marks the place that was once the rallying spot for pilgrims headed for Compostella. The Tower was restored by the architect Ballu over the period to , and a statue by Cavelier portraying Pascal was erected under the keystone to pay tribute to the philosopher who carried out barometric experiments there in Built in , this square is guarded by a high wall that supports the buildings of the old and prestigious Ecole Polytechnique engineering school.

A monumental staircase overflowing with viburnum plants creates a mesmerising, tumbling green sculpture. Jardin Robert-Cavelier-de-la-Salle — 2. These two gardens were created in between the Jardin du Luxembourg and the Observatory. Their location covers part of the old Vauvert castle which was said to be haunted by the devil.

Parks and gardens: Parisian strolls of the Second Empire

Built across from the Basilique Sainte-Clotilde in , the Square Samuel Rousseau was, like many squares, designed to glorify the neighbouring monument. Planted on what was once the Dames de Bellechasse Convent courtyard, the square is a particularly calm spot in the heart of Paris. They were planted in Planted in , a year after the Boulevard Haussmann was built, this square sits on what was once the Madeleine cemetery where Louis XVI and Marie-Antoinette were buried after being executed. The square harmoniously surrounds the monument and offers shade with its magnificent clusters of trees.

Much of the site was renovated and re-laid with paving stones laid in Like the Square du Temple, this green space is an exception to the rule as far as squares designed by Alphand are concerned. Planted as an English landscape garden in , the Square des Batignolles differs from others in its large dimensions and its remarkable layout including a waterfall, a river, a lake and rare trees. However the square did not receive unanimous acclaim when it was inaugurated. Unlike in England, the spirit of the day in France was less interested in lawn games and more preoccupied with lawn maintenance.

Lush green spaces were thus forbidden to visitors and ornamental ponds were built, considerably reducing room for strolling and play. Despite its beauty, the Square des Batignolles soon proved to be poorly adapted to the surrounding working-class neighbourhood. Luckily, children are now allowed to play on the lawns.

Formerly known as the Square de Vintimille, it was created in and completely renovated in Planted in , the oval-shaped haven was furnished with a fountain by Ballu, the architect who built the adjacent church. The design is based on the number three, mirroring the trinity honoured by both the church and square. Above the fountains there are three groups of sculpture by Duret portraying Faith, Hope and Charity. The garden too is structured around three lawns. Rue Mayran, Rue Rochambeau and the Rue Pierre Semard were created in while the section of the Rue Lafayette running along the front of the square was inaugurated in Battered by the weather and construction work for an underground parking lot, the Square Montholon was completely rebuilt in All that remains of the original square are the wrought-iron gates and two enormous Oriental plane trees over one hundred years old.

This pretty square at the foot of the Saint-Vincent-de-Paul Church was inaugurated in Located just east of the Place de la Chapelle, this square was created in Remodelled in , it was named after Louise de Marillac who worked closely with Saint Vincent de Paul. It was recently renovated and is now a pleasant refuge from the harsh neighbouring urban landscape. With the destruction of the Tuileries palace during the Commune, these gardens became public once again. The site later became an exhibition hall for housing impressionist collections, and it is now devoted to contemporary art.

After many difficulties the palace gardens were confiscated by the Count of Provence. During the French Revolution they were turned into a prison, then subsequently served as the seat of government for the Directory before finally becoming the Senate gardens during the Empire. The Second Empire brought about the greatest upheaval.

A decree dated November 28, ordered the destruction of one-third of the gardens. Davioud built his famous wrought-iron gates, the grounds near the Observatory were divided into squares and the gardens were ornamented with numerous statues — nearly eighty of which are still in the present-day gardens.

Every possible means was used to meet this goal. The Avenue was nearly a mile long and over feet wide, leaving ample room for a broad road suitable for coaches, two side alleys — one reserved for those on horseback and the other for pedestrians — as well as two additional side paths and sidewalks lining adjacent houses. Remarkable examples still lend shade to the present-day Avenue, including several trees over one hundred years old: three plane trees, a horse chestnut tree, a Japanese Sophora, a Siberian elm and a Virginia tulip tree.

A green haven, it was later redesigned in the English style by the landscape gardener Blaikie. It was during the Second Empire that the spot came to resemble the present-day Parc Monceau. In , upon completion of the newly-built Boulevard Malesherbes, the city of Paris acquired 50 acres 20 hectares of the old park through a compulsory purchase order. Pereire bought half of that land for eight million francs and launched a vast real estate project, while Haussmann and his team of landscapers turned the other half into gardens.

Inaugurated on August 13, by Napoleon III, the park met with immediate success owing to its masterful beauty as well as the surrounding housing estates, since the successful bourgeoisie of the imperial period chose to build their mansions here on the Monceau plateau. Houses built adjacent to the park had to follow certain rules outlined by Haussmann: 15 metres of greenery were required in front of the property as well as gates marking the barrier between public and private space.

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The whole park was gracefully restructured by to Alphand who used his favourite visual devices, such as rocks, waterfalls, small footbridges over streams, ornamental ponds, and winding paths, to create the illusion of a harmonious landscape. Ledoux built the rotunda known as the Pavillon de Chartres, which served as a toll house until it was restored by Davioud and made into a pavilion for park attendants. More information about this seller Contact this seller 2. Published by Consolidated Press, Sydney. About this Item: Consolidated Press, Sydney.

Hard Cover. Condition: Good. No Jacket. First Edition. Seller Inventory More information about this seller Contact this seller 3. Published by gallimard About this Item: gallimard, Couverture rigide. More information about this seller Contact this seller 4. From: Tanchelmus Antiquariaat Berchem, Belgium. More information about this seller Contact this seller 5. Published by lardanchet About this Item: lardanchet, More information about this seller Contact this seller 6.

Published by Victor Lecou, Paris About this Item: Victor Lecou, Paris, Bon exemplaire. Seller Inventory L More information about this seller Contact this seller 7. Published by H.

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From: T. About this Item: H. Condition: Near Fine. Library markings on endpapers, edge, etc. More information about this seller Contact this seller 8. Published by V. Lecou About this Item: V. Lecou, A good copy with practically no foxing. More information about this seller Contact this seller 9.

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Seller Inventory B. More information about this seller Contact this seller Published by Librairie Des Bibliophiles, Paris Limited Edition. Some lightly scattered foxing otherwise a very good of these tales. Published by henri cyral About this Item: henri cyral, Published by A. About this Item: A.

Frontispice en couleurs. Nombreuses illustrations en noir et blanc, en hors-texte. Frontispice en noir et blanc. Nombreuses illustrations en noir et blanc, dans le texte et en hors-texte. Jean Sbogar. Illustrations de Marold, Mittis et Picard dont un frontispice.

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