Eitner Eitner, Robert, ed. Biographisch-Bibliographisches Quellen Lexikon. ElsonA Elson, Arthur. Faurot Faurot, Albert. Biographie universelle des musiciens. Friskin Friskin, James, and I rwin Freundlich. Music for the Piano. Frauen als Komponistinnen. Fuller Fuller, Sophie. The Pandora Guide to Women Composers. French Harpsichord Music, — Gillespie Gillespie, John. Five Centuries of Keyboard Music.
Gordon Gordon, Stewart. A History of Keyboard Literature. Goss Goss, Madeleine. Modern Music-Makers. Green Green, Mildred Denby. Black Women Composers: A Genesis. Grove Sadie, Stanley, ed. GroveAm Hitchcock, H. Wiley and Stanley Sadie, eds. New Grove Dictionary of American Music. Gustafson Gustafson, Bruce. French Harpsichord Music of the 17th Century. Hale Hale, Philip, ed. Famous Composers and Their Works. Historical Anthology of Music by Women. Hasse Hasse, John Edward, ed. Ragtime: I ts History, Composers, and Music.
Heinrich Heinrich, Adel, comp. Organ and Harpsichord Music by Women Composers. Women in Music: An Encyclopedic Biobibliography. Hinson Hinson, Maurice. Hutcheson Hutcheson, Ernest, rev. Rudolph Ganz. The Literature of the Piano. Hyde Hyde, Derek. I nternational Dictionary of Black Composers. Jackson Jackson, Barbara Garvey. Rags and Ragtime: A Musical History. Jeric Jezic, Diane Peacock. Violin Music by Women Composers. Kallman Kallman, Potvin, and Winters, eds. Encyclopedia of Music in Canada. Kehler Kehler, George, comp. The Piano in Concert. Kirby Kirby, F.
Music for Piano: A Short History. KOM Mayer, Clara, ed. Krobn Krohn, Ernst C. Missouri Music. Laurence Laurence, Anya. Lepage LePage, Jane Weiner. Women Composers, Conductors, and Musicians. Mac Wier, Albert E. Macmillan Encyclopedia of Music and Musicians. Guitar Music by Women Composers.. Magrath Magrath, Jane. Guide to Standard Teaching and Performance Literature. Meggett Meggett, Joan, comp. Keyboard Music by Women Composers. Essential Scores and Recordings. N- B Neuls-Bates, Carol, ed. Panzeri Panzeri, Louis. Louisiana Composers.
Pendle Pendle, Karin, ed. Schonberg Schonberg, Harold C. The Great Pianists from Mozart to the Present. Southern Southern, Eileen. Biographical Dictionary of Afro-American Musicians. Sow inski Sowinski, Albert. Les Musiciens Polonais et Slaves. Sperber Sperber, Roswitha, ed. Women Composers in Germany. Stern Stern, Susan. Woman Composers: A Handbook. Thompson, Thompson, Donald and Annie F. Music and Dance in Puerto Rico. Tick Tick, Judith. American Women Composers before Walker- Hill Walker-Hill, Helen. Music by Black Women Composers. Women Composers: Music Through the Ages. Da Capo Press, I nc.
Kassel tonline. Box E. Her first works were liturgical songs for the Russian Orthodox Church; four operas followed, including the politically banned Zarja svobody Dawn of Freedom. Considered a pioneer of modern musicology, she published articles in many journals examining the connection between the ancient rhythms of Greek church music and Slavic Rhaetian folk songs.
Level: Late I ntermediate. E major, in 4, 6 pp. Variation 2, presto brilliante, begins each measure with a sixteenth rest, creating a breathless, hurried effect. Guernsey, British I sles, —d. This twentieth-century British pianist and teacher, a member of the Royal Academy of Music, taught piano and rhythmic and aural training to music teachers in London. She wrote Andante and Vivace for voices and percussion, and miscellaneous teaching works for piano. Level: Mid-Elementary. Twelve brief musical portraits of a mother dog and four puppies, accompanied by pictures and a story line in English, French, and Spanish.
Hands share the stepwise melodies in five-finger positions in the center of keyboard, with occasional two-note chords and contrasts in articulation and dynamics. Olivier and Weingartz. Francesco Mainini b. Milan, I taly, Oct 17, —d. Milan, Jan 19, Composer, harpsichordist, singer, and librettist Teresa Agnesi is the only known woman composer of I talian opera seria. Born the second daughter in a family of twenty-one children, Teresa accompanied at the harpsichord as her elder sister, Maria Gaetana, gave discourses in Latin.
I n , Agnesi married Pier Antonio Pinottini. They had no children, but remained married until his death in During their last years, they endured great poverty, having to sell their personal possessions and depend on repeated assistance from her family. I n , Teresa Agnesi died of a high fever. Her most important works are operas and theatrical pieces, but she also composed cantatas, chamber music, two piano concertos, harp sonatas; and short keyboard pieces in the galant style, tuneful, inventive, and idiomatic.
Britton Hildegard, GKH reprint. Also av. Ars Femina, EAF 36— Level: Mid-I ntermediate. A cheerful one-movement work in rounded binary. The charming melody has carefully articulated phrases, sometimes of unequal length. The two-voice I talianate texture is typical of the period, and the written-out ornaments are not difficult. Tw o Pieces for Solo Piano or Harpsichord, ed. Barbara Harbach Vivace Press, Both pieces work well on either keyboard, but the second seems designed to show off harpsichord registers. Sonata in G Major —see above. Allegro on Presto.
Many hand-crossings, rapid changes in LH registers, and nearly continuous alternation of arpeggios and scale passages make this considerably showier and trickier than the Sonata. A pair of binary dances, to be performed ABA da capo first movement. The Allemande has continuous broken-chord triplets in the LH, under a rousing melody with many ornaments.
The songlike Minuet is extremely simple, with sparse quarter-note accompaniment and some hand-crossing. Editorial markings include occasional echo effects on repeated phrases. Glickman and Schleifer G. Hall, Sonata in G.
Two years later, she won a scholarship to the newly founded Royal Academy of Music, where she studied voice with George Henschel and Jenny Lind. As a teacher and composer, she played an important role in the musical life of the black community in London. Her music has strong rhythmic appeal: one of her best-known works, Three African Dances for piano, used West African themes and was later arranged for a variety of instrumental groups.
Helen Walker-Hill Hildegard, Prayer Before Battle, No. The main theme, a grim march, opens with an octave leap followed by a descending natural-minor scale, all over a tonic pedal. A dotted-note motif in major keys surges upward by steps, then drops down, to be repeated an octave higher. Marianna studied composition with Salieri, and both she and her sister Katharina were fine keyboard players known and respected by Haydn and the Mozart family. Both deserve to be known throughout Europe through the public newspapers. Glickman Hildegard, Level: Mid- I ntermediate.
E-flat major, 15 pp. This edition is the only modern publication of the complete sonata. I : Moderate common time, 6 pp. Sonata-allegro form; strongly rhythmic, with triadic themes emphasizing tonic and dominant on every strong beat. Serene, graceful arioso. Boisterous and clever, with sudden contrasts in dynamics, articulation, and texture. Hinson Alfred, and Women Composers for the Harpsichord, ed. Harbach Elkan-Vogel, Hall, : Largo from Sonata in E-flat; see above. Vienna, Sep 25, —d. Vienna, Jan 30, Josepha von Auernhammer, a Viennese concert pianist, was the eleventh child of Johann and Elisabeth von Auernhammer.
She studied piano with Richter and Kozeluch, and when she was twenty-two, with Mozart, with whom she fell in love. Mozart did not return her affection, but he respected her abilities, playing concerts with her, and composing the K. I n , Auernhammer married Johann Bessenig, a civil servant, but she continued to perform and teach under her maiden name. They had four children, including their daughter Marianna Auenheim, who herself became a well-known pianist and voice teacher.
Auernhammer excelled at extemporaneous variations of a given theme, and most of her more than sixty works are well-crafted keyboard variations. Rosario Marciano Furore, Level: Early Advanced. A witty, imaginative and sensitive work, making full use of the existing five octaves of the keyboard.
The simple nature of the tune is preserved with a minimum of bravura figuration. Techniques include two-against-three rhythms in the var. The work closes with a nimble allegro in jig time. Meyer: see Single Works, above. I ndianapolis, I ndiana, May 21, —d. Pasadena, California, Sep 1, May Aufderheide, the leading woman composer of ragtime piano, was a favorite pianist in the I ndianapolis area who studied classical piano with an aunt, but loved the popular music of the day.
I n , she composed her first rag, Dusty, now considered the first major rag of the I ndianapolis-Ohio Valley area. Aufderheide married architect Thomas Kauftnan in , and in the next four years she published nineteen more compositions, including two sets of waltzes and six more rags: The Thriller! Although ragtime music was in general a black, male-dominated field, women composers of ragtime music were usually white, middle-class, and classically-trained, and most of them stopped composing after marriage.
I n , the family moved to southern California, where Aufderheide lived until her death at the age of eighty-four. Schleifer and Dennison G. Dusty, A Rag [ ]. The piece is great fun to play, with a wonderful oom-pah bass throughout. Offbeat soprano notes harmonize with the suave chromatic alto melody in the Trio C , subtly emphasizing the syncopation. The Thriller! Written in three repeated sections, with sweet triadic melodies, occasional brief chromatic passages, and blue 3rds and 7ths..
I n B, a sustained alto pedal tone lends smoothness to the thirds above; in C, hands alternate on syncopated descending octaves. Tichenor Dover, Dusty and The Thriller! See above. Richard Zimmerman Shattinger- I nternational Music, Carolynn A. Lindeman Theodore Presser, The Richmond Rag [ ]. The B section has distinctively syncopated, percussive rhythms.
A Totally Different Rag [ ]. The difference in this rag lies in its slow tempo, and in the B section, with its chromatic alto melody sandwiched between dissonant harmonies in treble and bass. Holmestrand, Norway, Dec 1, —d. She received high praise for her performances of Beethoven, Schumann, Chopin, and Grieg, and was the favorite female pianist of George Bernard Shaw.
She and her husband, a conductor and composer, had three sons, including Fritjof, who had a long career as a concert pianist. Though she suffered from ill health and deafness later in life, she continued to give frequent concerts and to teach several hours daily. Although she revered Grieg, her music is not particularly nationalistic, and she rarely used recognizable Norwegian folk-tunes in her piano works. Her works are sensitive, imaginative without being sentimental, and extremely well crafted. Recital Publications, , reprint of Wilhelm Hansen pub.
Level: Advanced. I n 4, allegro, 4 pp. Horn calls in rapid double notes, RH; virtuoso octaves in both hands. A spirited, joyful work. I n 4, tranquillo, 5 pp. An undulating triplet figure forms the background for the elegiac, nocturne-like melody. D-flat major, in 4, allegro leggiero, 6 pp. A rapid study in staccato alternating hands; the primarily LH melody shifts registers frequently. Fantasistykker Opus 36 Recital Publications.
Level: Advanced, 23 pp. A six-movement major work, demonstrating the composer at the height of her expressive and dramatic powers. The Blue Mountain was a legendary home of trolls. Overture: I n the Hall of the Trolls. Tone painting establishes a Norwegian atmosphere in this lengthy movement. An ungainly, gruff march, discordant and chromatic. The forest nymph. Serene and lovely main theme, with a playful middle section.
A minor, in 4, molto largo, 3 pp.
Aeolian harmonies echo Norwegian folk tunes. Dance of the trolls. Chromaticism, a busy melody, and open fifths describe a dance of the grotesque. B-flat minor, in 4, grave, 2 pp. Stealthy footsteps and eerie descending octaves explore the full range of the keyboard. Charles Slater. Da Capo Press reprint, Forty- seven works in chronological order, ranging from intermediate-level salon pieces to challenging concert etudes. Etudes de concert, Op. A series of parallel sixths. Continually shifting arpeggios support a melody played in octaves. Trois morceaux, Op.
Late I ntermediate to Early Advanced. F major, in 4, andantino, 3 pp. Serene, symmetrical phrases arch over a gently strummed bass in this unhurried portrait of summer twilight in the north. Melodious trills and flourishes decorate the contrasting center section. Au bal [ At the Ball]. A beguiling work, with quick, delicate outer sections framing a lyric intermezzo, sotto voce.
Spirited and witty dance, reminiscent of Grieg. Harmonically inventive, extremely well- written examples of the Romantic piano miniature. Each is a three-page allegretto in common time and ABA form. C major, leggiero. The vigorous, surging melody occurs first in octaves, then over dense chords. A-flat major, leggiero. A daring harmonic progression begins the work, permeated with Spanish dance rhythms and embellishments. A minor, semplice. A wistful little harlequin of a piece.
A-flat major, grazioso. Late Romantic chromaticism. Suite pour Piano Op. The suite originally included a prelude, nocturne, gavotte, menuett, and scherzo. Prelude Op. G minor, in 4, allegro non troppo e molto risoluto, 4 pp. Dramatic, with continuous exploration of a sixteenth note figure in related keys, as in some Bach preludes. Gavotte Op. A major, in 4, allegretto, 4 pp. A lateth century example of the lively and gracious Baroque dance.
Etude de concert, Op. A minor, in 4, molto allegro, 4 pp. Like a fiery gypsy dance or tarantella, swirling triplets race up and down the keyboard, accompanied by an alternating bass. A contrasting marcato section in A major features leaping accented chords; one can almost hear the rattle and crash of tambourines. The Fantasy pieces constitute an exceptionally fine addition to late Romantic repertoire, and the sets have many characteristics in common. They are short, descriptive scenes of nature, stylized dances, or depictions from Norwegian folklore, using the full range of the instrument, with effective textures and strong dance rhythms.
Difficult pieces alternate with easier ones, and they are stylistically similar to the smaller works of Schumann, Mendelssohn, Chopin, and Grieg. Klage [ Lamentation]. E minor, in 4, andantino, 2 pp. A repeated- note motive, rather like three little moans and a sigh, runs through this sad little piece. I nteresting scale patterns in the accompaniment save it from being maudlin. Friskt mod! D major, in 4, allegretto grazioso, 1 pp.
Heartening and repetitive. A bass pedal supports the upper voices, with the tenor in counterpoint to the soprano. A vigorous and exuberant dance with a playful middle section. Vuggevise [ Berceuse]. G major, in 4, allegretto. An attractive arching melody, stressing the second scale degree, is harmonized by sparse chords above a gently rocking bass. E-flat minor, in 4, andante, 5 pp. A tragic march opens the piece, echoed by bass octaves like a Greek chorus.
A contrasting fanfare in E-flat major sounds: perhaps the hero is coming to the rescue. Descending double octaves herald the return of A. Great dramatic fun. Fantasistykker Op. Close four-part harmony is played in the lower middle register of the piano, like a male choir singing a chorale of praise. Aftenwind [ Evening breezes].
G-flat major, in 4, allegretto, 2 pp. Alternating sixteenth notes depict the lightly rustling breezes; frequent LH crossovers. Sang ved Rokken [ Spinning-wheel song]. Alfeleg [ Elfin dance]. A minor, in 4, allegro, 5 pp. A nimble dance in airy staccatos and whirring sixteenth notes; center section is a courtly promenade in the parallel major. Sommernat [ Summer night]. Portrait of a balmy, leisurely evening. Svalernes flug [ Swallows flight].
A major, in 4, allegretto leggiero, 2 pp. Ceaseless sixteenth notes, divided between the hands, swoop in weightless broken chords and two- note figures in the upper half of the keyboard. A-flat major, common time, andante, 2 pp. A sweet song wafts out of a delicate cloud of rising and falling arpeggios. I baaden [ I n the boat]. A barcarolle, with an ostinato bass creating the rocking of the boat and the sound of the waves, as the melody is played in dolce thirds and sixths.
Visnet [ Withered]. A minor, in 4, allegretto, 1 pp. Leggierissimo staccato triads in the mid-to-upper registers fade swiftly away to ppp. Fantasistykker, Op. A wonderful group for ballet use. Ungdomssang [ Song of Youth]. A chorale in the lower-middle registers of the keyboard, requiring good legato technique; more satisfying than the earlier piece by the same name Opus 36, no. I ncluded in several anthologies. A virtuoso caprice depicting the fickle wind, with toccata-like use of repeated note figures, accidentals, and alternating hands.
Sommervise [ Summer song]. LH melody against fluttering double-note figures in RH, requireing careful voicing and pedaling. Gyngende [ Rocking]. A major, in 4, allegretto non troppo, 4 pp. Wide repeated arpeggios furnish the movement under the graceful melodic stretches. Vals Caprice. A playful and brilliant grand waltz, played one beat to the bar; center section in F minor is slightly slower, with descending chromatic passages. Etude de concert Op. A minor, in 4, con fuoco, 5 pp.
Virtuosic LH octaves shape an heroic march, balanced by wide, rapidly rolled RH chords; Brahmsian ideas and textures. Barcarole Op. Level: Early I ntermediate. Gently mysterious, with late-Romantic altered chords in a sparse texture. Characteristic melody is traded between hands. Mandolinata Op. Upward-strummed arpeggios suggest the easy grace of a southern serenade. Prelude and Grand menuet Op. Prelude C-sharp minor, in 4, tranquillo. Hinson Alfred, Gillespie Dover, I Blaafjellet.
Margaret Meyers: see Single Works. Warsaw, —d. Warsaw, Sep 29, Composer of the worldwide best seller of her time, this young Polish pianist was apparently an amateur with no formal training. After its appearance in as a supplement to the Paris Revue et Gazette Musicale, the piece became a runaway success all over the world, going into editions and reprints in Europe, the United States, and Australia, as well as transcriptions for orchestra, voice, piano duo, and almost every instrument.
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Still, imitation is the sincerest flattery, and the work was unquestionably the smash hit of the mid-nineteenth century. Schott Musik I nternational, E-flat major, common time, andante, 3 pp.
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Sweet, fluffy, and insubstantial; pianistic cotton candy. An effective introduction to advanced figurations such as extended arpeggios, octaves, and long trills. The theme, comprised of one arching, eight -bar parallel period, is presented by RH in six slightly varied versions, over an ostinato bass of block chords and octaves.
Variations include arpeggios in octaves, extended arpeggios of 16th and 32nd notes with trills at cadences, hands crossed, with melody in the tenor, and triplet repeated-note staccato octaves, ending in a crescendo. Albert E. Wier Carl Fischer, Henslowe b. Vincent Bredice. Guitar Improvising Vol 1. Guitar Improvising Vol 2. George Van Eps Method for Guitar.
George Van Eps. Epiphone Inc. Harmonic Mechanisms for Guitar Vol 1. Harmonic Mechanisms for Guitar Vol 2. Jazz Selections for Classical Guitar. Stanley Solow. Wes Montgomery Artist Transcriptions. Wes Montgomery. Charlie Byrd's Melodic Method for Guitar. Charlie Byrd. Robbin's Music. Barney Kessel Jazz Guitar, 14 original solos. Barney Kessel. Windsor music. Bossa Guitarra, 6 solos for Guitar. Laurindo Almeida. Criterion Music. Jazz Guitar Solos. Larry Coryell. Almo Pub. Complete Guitar Player Songbook Edit 2. Russ Shipton. Smith's Songs for Guitar.
Wm J Smith Music. Harry Reser Guitar method and 34 standards. Harry Reser. Remick music. Lester McFarland, Robert Gardmer. Prairie Press. Guitar Player's Best Friend, tricks and solos.
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John Martell. Shapiro, Bernsteon. Frank Metis. Sweet Songs for Guitar. Dorsey Brothers music. Super Solos, Blues and Jazz. Leed's Guitar Method and song folio. Hy White. Leeds Music Corp. Solo Guitarist book 1,. Fred Nance, Mary Ann Godia. Geoffrey Sisley. Boston Music. Frederick Noad. Macmillan Co.
Andrew Scott, Gary Turner. Koala Pub. Swingin' Songs for Guitar. Guitar Jubilee, Everybody's Favorite Series. Charles Lindsay Jr. Golden Treasury of Song, 43 Standards. Jim Helms. Famous Music. Harry Volpe. California Music Press. Robert Holmes. Intermediate Guitar Solos book 2. Myrna Sislen. Gerhard Graf-Martinez. Paco Pena. Musical New Services. Introduction to the Flamenco Guitar. Anita Sheer, Harry Berlow. Franco Colombia. Empieza A Tocar, Arthur Dick. Alfred's Metodo Basico De Guitarra book 1. Alfred pub. El Metodo Moderno para la Guitatta book 1.
Tenido Al Dedillo. Las Primeras Lecciones De Guitarra. Guglielmo Parararo. George Roberts in english. Gitanes La Cegueta, Suburbis. Federico Mompou. Renato Rossini. Guitarra Espanola Album no 5. Meme Chacon.
(PDF) A_Guide_to_Piano_Music by women composer | Gisele Pires Mota - axuhurajowoj.gq
Ediciones Musicales. Flamenco Puro. Cuban Music. Calypso Songs for Guitar. Blind Blake. Chas H Hansen. Hawaiian or Steel Guitar, size 6" x 8". M M Cole pub. Hawaiian Guitarist, Active, E 7th tuning book 1. Alfred L Greathouse. Hawaiian Guitarist, Active, E 7th tuning book 2. Pedal Steel Country Easy Guitar. Flatpickin' Bluegrass Guitar book 1. Ron Freshman. Folk Songs for Guitar, How to Play. Oscar Brand, R M Abramson. Alfred Music. Folk Guitar Beginning Instruction Manual. Oak Pub. Folklore for Guitar. MCA Music.
More Folk Strums fpr Guitar, Hootenanny. Ronny Lee, Howard David. Sam Fox Music. Folk Singer's Guide for Guitar. Guitar Time Popular Folk lev 2. Groeber, Hoge, Welch, Sanchez. FJH music. Guitar Time Popular Folk lev 1. Country Technique for Intermediate Guitarist. Acoustic Artistry, Contemporary Guitartist. Michael Fath, Sam Wright. Classical Studies for Pick Style Guitar. Baxter's Finger Picking Manual. Robert Baxter. Rock Guitar book 2, Improvising. Green Bote Staff. Rock Guitar Improvising. Gary Szevery.
Rock Classics, Essential Elements. Guitar Ensembles, late beginner. Rock Guitar Soloing Improvising 1. Rock Guitarist book 2 introduction rock styles. John Clausi. How To Play Rock Guitar. Charlie Daniels. Rock Guitar Method, Beginners. Parkening and the Guitar vol 1. Christopher Parkening. Antigua Casa. Parkening and the Guitar vol 2.
Parkening Plays Bach. J S Bach, C Parkening. Emilio Pujol. Haydnfor Classical Guitar. Franz Haydn, Jerry Snyder. Charles Hansen. Das Handel - Buch for Gitarre. Edition Sikorski Nr Musikveriag Sikorski. Das Mozart - Buch for Gitarre. Das Bach - Buch for Gitarre. J S Bach fur Gitarre. J S Bach, Alte Lautenmusik.
F Hofmeister, Leipzig. Bach Family Transcripions, Classical Guitar. Theodore Norman. J S Bach, Partita n 2 bwv Pepe Romero. Tuscany Pub. J S Bach for solo or Guitar duets. J S Bach. Kalmus Guitar Series. Yasuo Abe. Zen - On Guitar Library. Bach Album for Guitar. Vahdah Olcott Bickford. Amercian Guitar society. Sixty Short Pieces for Guitar.
Fernando Sor. Columbia music. Schott's Sohne. Fernando Sor, AJ Benjamin. Anton J Benjamin. Very Easy Studies for Guitar book 2. Schott , Belwin. Fernando Sor, 32 Etudes. Sixty Short Pieces for Guitar vol 1. Fernando Sor, Sophocles Papas. Sixty Short Pieces for Guitar vol 2. Fernando Sor Gitarren - Archiv. Schott's Sohne Mainz. Fernando Sor Sonata in C [ Mozart ] variation. Frederick Noad arr. Ariel Pub. Fernando Sor, Seguidillas, Voice, piano, guitar.
Brian Jeffery. Tecla Editons. Classic Method for Guitar. Sophocles Papas. Paganini and the Guitar [ no cover ]. Paganini, John Martell. Shawnee Press. Spielbuch fur Gitarre Heft I [ 7" x 10" ]. Anton Stingl. Hector Campos Parsi. Impreso Offset Rvmbos. Mario Abril arr. Julian Bream Thirteen Guitar Solos. Robert de Visee, Suite in G Minor. Robert de Visee, Frederick Noad ar. Music of the Classic Period for inter. Guitar Tutor, Beginer to Advanced. Criterion music. The Classical Guitar. Schirmer music. Bruno Henze. Dionysio Aguado.
Erstes Spielbuch fur Gitarrestucke. Erwin Schwarz- Reiflingen. Guitarra Espanola Album no 8. No missing pages. Everything readable. Cover front and back have light wear. See pictures. No breaks in the binding. No rips loose pages or markings in scores. If shipped Globally buyer will pay domestic and international fees. Lot of Antique Vintage Schirmer's Library 13 music books. Here is a lot of 13 vintage music books.
They are 1. Beautiful Blue Danube simplified Johann Strauss 2. Schirmer's Library Vol. Schirmer's Edition of Standard Instruction books for the pianoforte 5. Beginner's book School for the Pianoforte by Theo Presser 6. Schirmer's library vol. Piano Studies for the Left Hand. Copyright Check out my! Nothing that takes away from the music! Please pay for your items within 3 days of bidding close. We ship within 1 business day of receiving payment. Returns are accepted within 14 days. I will refund full purchase price minus shipping once item is received. Buyer pays return shipping.
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Considering age! Binding intact and NO markings! Your chance to own this classic! We strive for a 5 star experience in every way. If you have any International Buyers— Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. This is a set of 4 volumes They were my grandmothers. The Etudes and Ballads are older and more worn than the other two and have a her last name printed on the front cover please see pictures I am not sure when they were purchased, but I am guessing it was some time in the 's.
I have flipped through the pages and have not noted any pencil markings if there are, they're are hardly any! The bindings are in excellent condition! Please email with any questions. Four Hands For The Piano. Design copyright by G. Shirmer, Inc. There are two copies. Binding is in tack some wear on the outside edges and some age discoloration. Very good condition. If you win more than one auction from me, please wait for my invoice.
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I hope you come back often. Please email me with any questions. I welcome any questions that Schirmer's Library of Musical Classics Vol. Schirmer, Inc Printed in the U. Book in very good condition and sold as is. This is a lot of Schirmer's Library of Musical Classics. Payment must be received in 3 days.
All sales are final. I'm happy to answer any questions you may have. Packing is done well. Uses Recyclable goods to pack items. Sorry no International Shipping. Lot of 10 volumes of Schirmer's Library of Musical Classics series. Published by G. Schirmer, Inc. These scores are in used good condition for their age.